{"title":"MING DYNASTY (1368-1644)","description":"\u003cspan\u003eMing Dynasty ceramics, spanning the 14th to 17th centuries in China, renowned for their underglaze blue-and-white porcelain, Ming ceramics showcase intricate patterns and scenes from nature, folklore, and historical narratives. The mastery of cobalt pigments, combined with advancements in kiln technology, resulted in pieces of unparalleled beauty and craftsmanship.\u003c\/span\u003e","products":[{"product_id":"longquan-celadon-figurine-ming-dynasty-1368-1644","title":"Longquan Celadon Figurine, Ming Dynasty (1368-1644)","description":"\u003cdiv class=\"flex flex-col text-sm pb-25\"\u003e\n\u003carticle data-turn=\"assistant\" data-scroll-anchor=\"true\" data-testid=\"conversation-turn-16\" data-turn-id=\"5d52542a-b3e4-4eb8-80e1-74edf2f259ea\" dir=\"auto\" class=\"text-token-text-primary w-full focus:outline-none [--shadow-height:45px] has-data-writing-block:pointer-events-none has-data-writing-block:-mt-(--shadow-height) has-data-writing-block:pt-(--shadow-height) [\u0026amp;:has([data-writing-block])\u0026gt;*]:pointer-events-auto scroll-mt-[calc(var(--header-height)+min(200px,max(70px,20svh)))]\" tabindex=\"-1\"\u003e\n\u003cdiv class=\"text-base my-auto mx-auto pb-10 [--thread-content-margin:--spacing(4)] @w-sm\/main:[--thread-content-margin:--spacing(6)] @w-lg\/main:[--thread-content-margin:--spacing(16)] px-(--thread-content-margin)\"\u003e\n\u003cdiv class=\"[--thread-content-max-width:40rem] @w-lg\/main:[--thread-content-max-width:48rem] mx-auto max-w-(--thread-content-max-width) flex-1 group\/turn-messages focus-visible:outline-hidden relative flex w-full min-w-0 flex-col agent-turn\" tabindex=\"-1\"\u003e\n\u003cdiv class=\"flex max-w-full flex-col grow\"\u003e\n\u003cdiv data-message-model-slug=\"gpt-5-2-thinking\" class=\"min-h-8 text-message relative flex w-full flex-col items-end gap-2 text-start break-words whitespace-normal [.text-message+\u0026amp;]:mt-1\" dir=\"auto\" data-message-id=\"b3b2905f-635a-484f-a31f-5b6e76a2aaa3\" data-message-author-role=\"assistant\"\u003e\n\u003cdiv class=\"flex w-full flex-col gap-1 empty:hidden first:pt-[1px]\"\u003e\n\u003cdiv class=\"markdown prose dark:prose-invert w-full break-words light markdown-new-styling\"\u003e\n\u003cp data-is-only-node=\"\" data-is-last-node=\"\" data-end=\"603\" data-start=\"0\"\u003eThis Longquan celadon figure is defined by a composed frontal presence: half-lidded eyes, a calm oval face, and a hooded mantle that reads as a single, clean silhouette. The robe is modeled with restrained but deep folds—glaze pools in the recesses into a richer olive tone, while the raised edges fire thinner and lighter, sharpening the relief and giving the carving real definition. The color shifts naturally from jade-like grey-green to mossy depths, with fine peppered speckling and subtle kiln character on the surface—an understated, materially convincing piece where form and glaze do the work.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/article\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"pointer-events-none h-px w-px absolute bottom-0\" data-edge=\"true\" aria-hidden=\"true\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cp\u003e\u003cspan\u003ePeriod: Ming Dynasty (1368-1644)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eRegion: Longquan, China \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eMedium: Stoneware - Celadon glazed, with a range from heavy grey to almost white porcelain-like material \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eType: Sculpture\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eHeight : 24.5 cm\u003cbr\u003eProvenance : Acquired in late 1990s from Hongkong\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e* Ming Dynasty Longquan Celadon\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eLongquan celadon from the Ming Dynasty typically exhibits a more robust and heavier stoneware body compared to its Song Dynasty predecessors. The Ming era saw an evolution in celadon glaze, achieving a wider spectrum of green hues, from olive to bluish-greens. Ming celadons often had thicker glaze applications, sometimes featuring multiple layers and even multiple firings to attain depth and richness in the glaze.\u003c\/p\u003e\n\u003cp\u003eIn contrast, Song Dynasty Longquan celadons are known for their more refined and thinner bodies, with a glaze palette that tends toward more subtle and more uniform green shades. The shapes of Song celadons were usually simpler, emphasizing the glaze's quality and texture.\u003c\/p\u003e\n\u003cp\u003eDuring the Song period, there was also a greater emphasis on subtle and elegant forms, with less ornate decoration compared to the Ming pieces, which showcased more elaborate decorative motifs, including incised or moulded patterns. Song Dynasty Longquan wares were also highly prized for their thin walls and lightness, reflecting a high level of technical mastery in pottery-making.\u003c\/p\u003e\n\u003cp\u003eOverall, while both dynasties produced celadons of exceptional quality, the Ming Longquan celadons are distinguished by their bolder forms and more varied glaze effects, while the Song Dynasty celadons are celebrated for their simplicity and the pure beauty of their glazes.\u003c\/p\u003e","brand":"AUA Oriental Art","offers":[{"title":"Default Title","offer_id":44201971024128,"sku":"","price":5900.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0676\/5297\/6896\/files\/1-Photoroom_2_d4e552e7-6279-42f3-96a9-c05b5559abb1.png?v=1768791710"},{"product_id":"a-wucai-peony-vase-transitional-period-17th-century-early-qing-dynasty","title":"A Wucai 'Peony' Vase Transitional Period, 17th century, Transitional period(Ming Dynasty)","description":"\u003cp data-mce-fragment=\"1\"\u003eThe jar features a balanced and robust form, typical of the Transitional period, which was a time of significant change and innovation in Chinese porcelain art. The decoration is exuberant, with bold red and green colors dominating the palette, accompanied by accents of yellow, blue, and other hues to complete the 'five colors' scheme.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eA large peony, which is a frequent motif in Chinese art symbolizing wealth and honor, is prominently displayed in a bright red tone, contrasting with the green foliage. The peony is surrounded by intricate scrollwork and smaller floral motifs, indicative of the sophisticated and detailed painting style of the era.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003ePeriod : Late Ming-Early Qing Dynasty\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eProduction Date : 17th century\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eSize : 28cm (Height), 13.0cm(Diameter)\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eCondition : Good(Minor Repairs on neck part)\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e* Wu Cai\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eWucai, which literally means \"five colors,\" is a distinctive style of Chinese porcelain decoration that flourished during the Ming (1368-1644) and Qing (1644-1912) dynasties. The wucai technique involves the use of a palette of typically five overglaze enamel colors – red, green, yellow, blue, and purple – to embellish porcelain wares. The colors are applied to an already glazed and fired piece of porcelain, which is then fired again at a lower temperature to fuse the enamels to the surface.\u003c\/p\u003e\n\u003cp\u003eThe wucai style is noted for its vibrant and harmonious blend of colors, which are used to create intricate and lively decorative patterns. These patterns often feature motifs from nature, such as flowers, fruits, animals, and landscapes, as well as scenes from literature and mythology. The style is also characterized by a dynamic sense of movement and an emphasis on artistic expression and detail.\u003c\/p\u003e\n\u003cp\u003eWucai porcelain was highly valued for its artistic complexity and was used for a wide range of items, from imperial wares intended for the court to pieces produced for domestic use and export. The technical proficiency required for wucai decoration made it a symbol of the potters' craftsmanship and the rich cultural heritage of Chinese ceramics.\u003c\/p\u003e","brand":"AUA Oriental Art","offers":[{"title":"Default Title","offer_id":44310332506368,"sku":"","price":3500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0676\/5297\/6896\/files\/1-Photoroom_1_6d9f7c49-5927-44f9-8006-04748cd03d7a.png?v=1767511799"},{"product_id":"a-carved-longquan-celadon-glazed-tripod-censer-ming-dynasty","title":"Carved 'Longquan' Celadon-Glazed Tripod Censer, Ming dynasty","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eThis censer is characterized by its tripod form, which means it stands on three feet. Incense burners from the Ming dynasty are often highly regarded for their craftsmanship and the quality of the glaze texture and coloration. This piece features finely carved patterns that likely draw inspiration from traditional Chinese motifs. Such items were commonly used for burning incense and sometimes served as significant decorative pieces in ceremonial spaces or the homes of the elite.\u003c\/span\u003e\u003c\/p\u003e\n\u003cspan data-mce-fragment=\"1\"\u003ePeriod: Ming Dynasty (1368~1644)\u003c\/span\u003e\u003cbr\u003e\u003cspan data-mce-fragment=\"1\"\u003eRegion: Longquan, China\u003c\/span\u003e\u003cbr\u003e\u003cspan data-mce-fragment=\"1\"\u003eMedium: Stoneware - Celadon glazed\u003c\/span\u003e\u003cbr\u003e\u003cspan data-mce-fragment=\"1\"\u003eType: Tripod censer\u003c\/span\u003e\u003cbr\u003e\u003cspan data-mce-fragment=\"1\"\u003eSize : 24.2 cm(Diameter) , 10.8cm(Height)\u003cbr data-mce-fragment=\"1\"\u003eProvenance : Acquired in 1999, Hongkong\u003c\/span\u003e\u003cbr\u003e\u003cspan data-mce-fragment=\"1\"\u003eReference : Sotheby's Newyork 26 September 2023 - CHINA \/ 5000 YEARS - Lot1135\u003c\/span\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e* Ming Dynasty Longquan Celadon\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eLongquan celadon from the Ming Dynasty typically exhibits a more robust and heavier stoneware body compared to its Song Dynasty predecessors. The Ming era saw an evolution in celadon glaze, achieving a wider spectrum of green hues, from olive to bluish-greens. Ming celadons often had thicker glaze applications, sometimes featuring multiple layers and even multiple firings to attain depth and richness in the glaze.\u003c\/p\u003e\n\u003cp\u003eIn contrast, Song Dynasty Longquan celadons are known for their more refined and thinner bodies, with a glaze palette that tends toward more subtle and more uniform green shades. The shapes of Song celadons were usually simpler, emphasizing the glaze's quality and texture.\u003c\/p\u003e\n\u003cp\u003eDuring the Song period, there was also a greater emphasis on subtle and elegant forms, with less ornate decoration compared to the Ming pieces, which showcased more elaborate decorative motifs, including incised or moulded patterns. Song Dynasty Longquan wares were also highly prized for their thin walls and lightness, reflecting a high level of technical mastery in pottery-making.\u003c\/p\u003e\n\u003cp\u003eOverall, while both dynasties produced celadons of exceptional quality, the Ming Longquan celadons are distinguished by their bolder forms and more varied glaze effects, while the Song Dynasty celadons are celebrated for their simplicity and the pure beauty of their glazes.\u003c\/p\u003e","brand":"AUA Oriental Art","offers":[{"title":"Default Title","offer_id":44311332225280,"sku":"","price":3990.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0676\/5297\/6896\/files\/No.270_01_108_242_mm-PhotoRoom.png-PhotoRoom.png?v=1706708974"},{"product_id":"green-and-ochre-glazed-altar-tables-with-offerings-ming-dynasty-15-16th-century","title":"Green and Ochre Glazed Altar Table with Offerings, Ming Dynasty, 15~16th Century","description":"\u003cp\u003e\u003cspan\u003eThe table bearing pig head, rice cakes, dishes of meat, fish and fruit. Known as Mingqi, these terracotta models were customarily included in Chinese burial practices, particularly among the affluent, to aid the deceased in their journey through the afterlife. This tradition extends back to the Neolithic Period. A unique terracotta funeral table from the Chinese Ming Dynasty, dating to the 15th or 16th century, would serve as an exquisite decorative piece, ideally placed in a living room or dining area.\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ePeriod: Ming Dynasty (1368~1644)\u003cbr\u003eMedium: Sancai-Glazed\u003cbr\u003eType: Mingqi\u003cbr\u003eSize : 30 cm x 17cm(Diameter), 20cm(Height)\u003cbr data-mce-fragment=\"1\"\u003eProvenance : Acquired in 1999, Hongkong\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e* Altar tables with offerings\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eAltar tables with offerings are a significant element in various Eastern cultures, reflecting deep-rooted spiritual and religious traditions. These practices are commonly found across many Asian countries, including China, Japan, Korea, Vietnam, and others, each with its unique interpretations and rituals but sharing the fundamental idea of honoring ancestors, deities, or spiritual entities.\u003c\/p\u003e\n\u003cp\u003eIn Chinese culture, altar tables are prominently used in Confucian, Taoist, and Buddhist practices. They serve as a focal point for performing rituals to honor ancestors and household deities. Offerings such as food, incense, and paper money are placed on the altar to provide for the spiritual needs of ancestors and gods, ensuring their blessings and protection in return. The Lunar New Year, Qingming Festival (Tomb-Sweeping Day), and Zhong Yuan (Hungry Ghost Festival) are among the occasions when these practices are most prominently observed.\u003c\/p\u003e","brand":"AUA Oriental Art","offers":[{"title":"Default Title","offer_id":44385780826368,"sku":"","price":3950.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0676\/5297\/6896\/files\/IMG_1450-Photoroom.png-Photoroom.png?v=1711547656"},{"product_id":"a-chinese-blue-and-white-kraak-plate-late-ming-dynasty","title":"Blue And White Kraak Plate, Late Ming Dynasty","description":"\u003cp\u003e\u003cspan\u003eA Chinese blue and white Kraak plate, the central roundel depicting birds and floral design in a waterside, the rim with panels enclosing foliage and decorative objects.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cspan data-mce-fragment=\"1\"\u003ePeriod: Late Ming-Early Qing Dynasty (17th century)\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eType: Blue and White Porcelain\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eDimension : 5 cm(Height) \/ 30cm(Diameter)\u003cbr data-mce-fragment=\"1\"\u003eProvenance : Acquired early 2000s from Southeast asia(Probably from Shipwreck)\u003c\/span\u003e\u003cbr\u003eReference :\u003cbr\u003e1) Sotheby's London 12 November 2019 - STYLE: Private Collections - Lot 12\u003cbr\u003e(Price range : 3,000GBP-5,000GBP \/ Type : Closely related)\u003cbr\u003ehttps:\/\/www.sothebys.com\/en\/buy\/auction\/2019\/style-private-collections\/a-large-blue-and-white-kraak-dish-ming-dynasty-3\u003cbr\u003e2) Christies NEW YORK - 1–11 MAY 2018 - THE COLLECTION OF PEGGY AND DAVID ROCKEFELLER: ONLINE SALE - Lot 1405\u003cbr\u003e(Price realised : 5,625 USD \/ Type : Highly related)\u003cbr\u003ehttps:\/\/onlineonly.christies.com\/s\/collection-peggy-david-rockefeller-online-sale\/chinese-blue-white-kraak-dish-1405\/54999\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e* Kraak\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eKraak porcelain is a type of Chinese export porcelain that was produced during the late Ming Dynasty, especially during the reign of the Wanli Emperor (1573-1620). It is famous for its distinctive design and style. Kraak ware typically features paneled decorations surrounding a central, more elaborate image. Each panel is often decorated with various motifs such as animals, flowers, or geometric patterns, while the center often depicts landscapes or figures.\u003c\/p\u003e\n\u003cp\u003eThis porcelain is relatively thick and large, with a hard, glossy glaze that adds to its durability. Kraak porcelain had a significant impact on the European market and inspired the development of porcelain manufacturing techniques in Europe. The name \"Kraak\" is believed to derive from the Dutch, who were the primary traders exporting these wares, reflecting its connection to Dutch merchant activities. Today, Kraak porcelain remains highly popular among collectors and is an important part of Chinese ceramic arts\u003c\/p\u003e\n\u003c!----\u003e","brand":"AUA Oriental Art","offers":[{"title":"Default Title","offer_id":45274285408512,"sku":"","price":0.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0676\/5297\/6896\/files\/IMG_37512-Photoroom.png-Photoroom.png?v=1716982848"},{"product_id":"blue-and-white-kraak-plate-late-ming-dynasty","title":"Blue And White Kraak Plate, Late Ming Dynasty","description":"\u003cp\u003e\u003cspan\u003eA Chinese blue and white Kraak plate, the central roundel depicting birds and floral design in a waterside, the rim with panels enclosing foliage and decorative objects.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cspan data-mce-fragment=\"1\"\u003ePeriod: Late Ming-Early Qing Dynasty (17th century)\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eType: Blue and White Porcelain\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eDimension : 3 cm(Height) \/ 26cm(Diameter)\u003cbr data-mce-fragment=\"1\"\u003eProvenance : Acquired early 2000s from Southeast asia(Probably from Shipwreck)\u003c\/span\u003e\u003cbr\u003eReference :\u003cbr\u003e1) Sotheby's London 12 November 2019 - STYLE: Private Collections - Lot 12\u003cbr\u003e(Price range : 3,000GBP-5,000GBP \/ Type : Closely related)\u003cbr\u003ehttps:\/\/www.sothebys.com\/en\/buy\/auction\/2019\/style-private-collections\/a-large-blue-and-white-kraak-dish-ming-dynasty-3\u003cbr\u003e2) Christies NEW YORK - 1–11 MAY 2018 - THE COLLECTION OF PEGGY AND DAVID ROCKEFELLER: ONLINE SALE - Lot 1405\u003cbr\u003e(Price realised : 5,625 USD \/ Type : Highly related)\u003cbr\u003ehttps:\/\/onlineonly.christies.com\/s\/collection-peggy-david-rockefeller-online-sale\/chinese-blue-white-kraak-dish-1405\/54999\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e* Kraak\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eKraak porcelain is a type of Chinese export porcelain that was produced during the late Ming Dynasty, especially during the reign of the Wanli Emperor (1573-1620). It is famous for its distinctive design and style. Kraak ware typically features paneled decorations surrounding a central, more elaborate image. Each panel is often decorated with various motifs such as animals, flowers, or geometric patterns, while the center often depicts landscapes or figures.\u003c\/p\u003e\n\u003cp\u003eThis porcelain is relatively thick and large, with a hard, glossy glaze that adds to its durability. Kraak porcelain had a significant impact on the European market and inspired the development of porcelain manufacturing techniques in Europe. The name \"Kraak\" is believed to derive from the Dutch, who were the primary traders exporting these wares, reflecting its connection to Dutch merchant activities. Today, Kraak porcelain remains highly popular among collectors and is an important part of Chinese ceramic arts\u003c\/p\u003e\n\u003c!----\u003e","brand":"AUA Oriental Art","offers":[{"title":"Default Title","offer_id":45274365264128,"sku":"","price":2790.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0676\/5297\/6896\/files\/1-Photoroom.png-Photoroom_82dcfbf5-3d33-4ebd-b9f5-124cc9640544.png?v=1716986378"},{"product_id":"molded-longquan-celadon-fu-shou-ewer-ming-dynasty","title":"MOLDED LONGQUAN CELADON 'FU SHOU' EWER, MING DYNASTY","description":"\u003cp\u003eOne side of the vase showcases a panel with the Shou character at its center, symbolizing longevity, while the opposite side displays the Fu character, signifying luck. The neck of the vase is adorned with leaves. There are similar types and decoration but varying in shape, resembling a pear, all from the same era and crafted in celadon, often referred to as 'fu shou' vases.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003ePeriod: Yuan-Ming Dynasty (1271-1644)\u003c\/span\u003e\u003cbr\u003e\u003cspan data-mce-fragment=\"1\"\u003eRegion: Longquan, China\u003c\/span\u003e\u003cbr\u003e\u003cspan data-mce-fragment=\"1\"\u003eMedium: Celadon\u003c\/span\u003e\u003cbr\u003e\u003cspan data-mce-fragment=\"1\"\u003eType: Ewer\u003c\/span\u003e\u003cbr\u003e\u003cspan data-mce-fragment=\"1\"\u003eDimension : 14 cm(Height) x 4.5cm(Mouth Diameter)\u003cbr data-mce-fragment=\"1\"\u003eProvenance : Acquired in late 1990s from Hongkong\u003cbr\u003eReference\u003cbr\u003e1) British Museum - Museum number 1931,1118.5\u003cbr\u003e(Type : Closely related)\u003cbr\u003ehttps:\/\/www.britishmuseum.org\/collection\/object\/A_1931-1118-5\u003cbr\u003e\u003cbr\u003e2) Christies NEW YORK 24–25 MAR 2022 - Important Chinese Ceramics and Works of Art - Lot 1105\u003cbr\u003e(Price realised : 9,450 USD \/ Type : Related)\u003cbr\u003ehttps:\/\/www.christies.com\/en\/lot\/lot-6359405\u003cbr\u003e\u003cbr\u003e3) Sotheby's New York 19 March 2024 - Chinese Art - Lot 172\u003cbr\u003e(Price range : 15,000 USD - 20,000 USD \/ Type : Related)\u003cbr\u003ehttps:\/\/www.sothebys.com\/en\/buy\/auction\/2024\/important-chinese-art\/a-rare-inscribed-longquan-celadon-glazed-handled\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e* Ming Dynasty Longquan Celadon\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eLongquan celadon from the Ming Dynasty typically exhibits a more robust and heavier stoneware body compared to its Song Dynasty predecessors. The Ming era saw an evolution in celadon glaze, achieving a wider spectrum of green hues, from olive to bluish-greens. Ming celadons often had thicker glaze applications, sometimes featuring multiple layers and even multiple firings to attain depth and richness in the glaze.\u003c\/p\u003e\n\u003cp\u003eIn contrast, Song Dynasty Longquan celadons are known for their more refined and thinner bodies, with a glaze palette that tends toward more subtle and more uniform green shades. The shapes of Song celadons were usually simpler, emphasizing the glaze's quality and texture.\u003c\/p\u003e\n\u003cp\u003eDuring the Song period, there was also a greater emphasis on subtle and elegant forms, with less ornate decoration compared to the Ming pieces, which showcased more elaborate decorative motifs, including incised or moulded patterns. Song Dynasty Longquan wares were also highly prized for their thin walls and lightness, reflecting a high level of technical mastery in pottery-making.\u003c\/p\u003e\n\u003cp\u003eOverall, while both dynasties produced celadons of exceptional quality, the Ming Longquan celadons are distinguished by their bolder forms and more varied glaze effects, while the Song Dynasty celadons are celebrated for their simplicity and the pure beauty of their glazes.\u003c\/p\u003e\n\u003c!----\u003e","brand":"AUA Oriental Art","offers":[{"title":"Default Title","offer_id":45359896461568,"sku":"","price":3990.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0676\/5297\/6896\/files\/1-Photoroom_1_66f727e3-5259-42fc-8dd8-6b0857c81210.png?v=1767962565"},{"product_id":"two-molded-longquan-celadon-fu-shou-vases-ming-dynasty","title":"TWO MOLDED LONGQUAN CELADON 'FU SHOU' VASES, MING DYNASTY","description":"\u003cp\u003eOne side of the vase showcases a panel with the Shou character at its center, symbolizing longevity, while the opposite side displays the Fu character, signifying luck. The neck of the vase is adorned with leaves. \u003cbr\u003e\u003cbr\u003e\u003cspan data-mce-fragment=\"1\"\u003ePeriod: Yuan-Ming Dynasty (1271-1644)\u003c\/span\u003e\u003cbr\u003e\u003cspan data-mce-fragment=\"1\"\u003eRegion: Longquan, China\u003c\/span\u003e\u003cbr\u003e\u003cspan data-mce-fragment=\"1\"\u003eMedium: Celadon\u003c\/span\u003e\u003cbr\u003e\u003cspan data-mce-fragment=\"1\"\u003eType: Ewer\u003c\/span\u003e\u003cbr\u003e\u003cspan data-mce-fragment=\"1\"\u003eDimension : 13.5 cm(Height) x 8cm(Diameter)\u003cbr data-mce-fragment=\"1\"\u003eProvenance : Acquired in late 1990s from Hongkong\u003cbr\u003eReference\u003cbr\u003e1) British Museum - Museum number 1931,1118.5\u003cbr\u003e(Type : Closely related)\u003cbr\u003ehttps:\/\/www.britishmuseum.org\/collection\/object\/A_1931-1118-5\u003cbr\u003e\u003cbr\u003e2) Christies NEW YORK 24–25 MAR 2022 - Important Chinese Ceramics and Works of Art - Lot 1105\u003cbr\u003e(Price realised : 9,450 USD \/ Type : Related)\u003cbr\u003ehttps:\/\/www.christies.com\/en\/lot\/lot-6359405\u003cbr\u003e\u003cbr\u003e3) Sotheby's New York 19 March 2024 - Chinese Art - Lot 172\u003cbr\u003e(Price range : 15,000 USD - 20,000 USD \/ Type : Related)\u003cbr\u003ehttps:\/\/www.sothebys.com\/en\/buy\/auction\/2024\/important-chinese-art\/a-rare-inscribed-longquan-celadon-glazed-handled\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e* Ming Dynasty Longquan Celadon\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eLongquan celadon from the Ming Dynasty typically exhibits a more robust and heavier stoneware body compared to its Song Dynasty predecessors. The Ming era saw an evolution in celadon glaze, achieving a wider spectrum of green hues, from olive to bluish-greens. Ming celadons often had thicker glaze applications, sometimes featuring multiple layers and even multiple firings to attain depth and richness in the glaze.\u003c\/p\u003e\n\u003cp\u003eIn contrast, Song Dynasty Longquan celadons are known for their more refined and thinner bodies, with a glaze palette that tends toward more subtle and more uniform green shades. The shapes of Song celadons were usually simpler, emphasizing the glaze's quality and texture.\u003c\/p\u003e\n\u003cp\u003eDuring the Song period, there was also a greater emphasis on subtle and elegant forms, with less ornate decoration compared to the Ming pieces, which showcased more elaborate decorative motifs, including incised or moulded patterns. Song Dynasty Longquan wares were also highly prized for their thin walls and lightness, reflecting a high level of technical mastery in pottery-making.\u003c\/p\u003e\n\u003cp\u003eOverall, while both dynasties produced celadons of exceptional quality, the Ming Longquan celadons are distinguished by their bolder forms and more varied glaze effects, while the Song Dynasty celadons are celebrated for their simplicity and the pure beauty of their glazes.\u003c\/p\u003e\n\u003c!----\u003e","brand":"AUA Oriental Art","offers":[{"title":"Default Title","offer_id":45502073929984,"sku":"","price":5990.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0676\/5297\/6896\/files\/1-Photoroom_1_204d9e79-d093-4461-a664-c2dd23b1872d.png?v=1767963225"},{"product_id":"two-chinese-blue-and-white-jars-painted-with-eight-figures-in-a-garden-marked-on-the-bottom-with-a-sitting-rabbitblue-hare-transitional-period","title":"Two Chinese blue and white jars, painted with eight figures in a garden, marked on the bottom with a sitting rabbit(blue hare), Transitional period(Late Ming dynasty)","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eChinese porcelain jar, 17th century,\u003cb\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/b\u003e\u003cspan\u003epainted in underglaze blue with officials in a garden landscape, underglaze blue hare mark to base.\u003cbr\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cspan data-mce-fragment=\"1\"\u003ePeriod : Late Ming-Early Qing Dynasty\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eDate : 17th century\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eSize : Left - 18.5cm (Height), 8.5cm(Mouth diameter) \/ Right - \u003cmeta charset=\"utf-8\"\u003e17cm (Height), 8cm(Mouth diameter) \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eCondition : Good(Minor chips)\u003cbr\u003eProvenance : Acquired in late 1990s from Hongkong\u003cbr\u003eReference : \u003cbr\u003e1) Bukowskis June 12-15, 2012 The Spring Classic Sale, Stockholm 568 - Lot 1769\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e(Price realised : 36,000 SEK \/ Type : Closely related)\u003cbr\u003ehttps:\/\/www.bukowskis.com\/en\/auctions\/568\/1769-a-blue-and-white-jar-ming-dynasty-17th-century?from_language=en\u003cbr\u003e\u003cbr\u003e2) Sotheby's London 06 November 2013 - L13211 - Lot 99\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e(Price realised : 10,000 GBP \/ Type : Closely related)\u003cbr\u003ehttps:\/\/www.sothebys.com\/en\/auctions\/ecatalogue\/2013\/fine-chinese-ceramics-works-of-art-l13211\/lot.99.html?locale=en\u003cbr\u003e\u003cbr\u003e3) Carlo bonte March 16, 2016 - Fine Arts and Antiques Auction - Day 2 - Lot 429\u003cbr\u003e(Price realised : \u003cmeta charset=\"utf-8\"\u003e€1,500.00 \/ Type : Closely related)\u003cbr\u003ehttps:\/\/www.carlobonte.be\/auction-lot\/a-chinese-blue-and-white-pot-with-cover-painted_90344719E0\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003e* Ming-QIng Transitional period\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eThe Ming-Qing Transitional Period (approximately 1620-1683) saw the production of ceramics characterized by unique features due to the era's political and social instability. During this period, there was a notable diversity in design and advancements in techniques. The traditional blue and white porcelain of the late Ming dynasty evolved to include a variety of colors and designs. The themes and motifs on ceramics became more complex and creative. While cobalt blue underglaze porcelain remained popular, overglaze enamel techniques were also widely used, leading to the introduction of diverse colors and textures in the ceramics.\u003c\/p\u003e\n\u003cp\u003eThe ceramics of this period also underwent significant changes in form and function. New shapes emerged, and various types of vessels and containers for everyday use were produced. The development of tea culture was reflected in the creation of teapots and teacups. The design and decoration of ceramics mirrored the social and cultural changes of the time, often featuring literati paintings, landscapes, and figures. Symbols from Daoism and Buddhism, as well as mythical animals, were commonly incorporated. Additionally, this period saw a surge in the export of ceramics, catering to the demands of Europe and other parts of Asia. Export ceramics, particularly blue and white porcelain and wucai (five-colored) ware, were designed to meet the tastes and preferences of these international markets.\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c!----\u003e","brand":"AUA Oriental Art","offers":[{"title":"Default Title","offer_id":45508552917248,"sku":"","price":4500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0676\/5297\/6896\/files\/1-Photoroom_eac9c00a-b047-477c-833e-324733a8275c.png?v=1718453636"},{"product_id":"a-16th-century-ming-pottery-model-of-a-folding-chair","title":"Pottery Model of a Folding Chair, 16th century, Ming dynasty","description":"\u003cp\u003eThis piece is an example of Mingqi, items specifically crafted for burial to accompany the deceased into the afterlife. The terracotta army is the most renowned example of such burial objects. Mingqi items represented people, houses, farms, granaries, livestock, and anything significant from this world to provide comfort and status in the next life. Unlike the life-sized and vast terracotta army, which reflected the importance of the first emperor of China, most Mingqi objects were small models, much smaller than the actual items or individuals they represented. \u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ePeriod: Ming Dynasty (1368~1644)\u003cbr\u003eMedium: Sancai-Glazed\u003cbr\u003eType: Mingqi\u003cbr\u003eSize : 12.5cm(Diameter), 20cm(Height)\u003cbr\u003eCondition : Good(Repairs on base and chair base)\u003cbr data-mce-fragment=\"1\"\u003eProvenance : Acquired in late 1990s from Hongkong\u003cbr\u003eReference:\u003cbr\u003e1) Royal Ontario Museum - Object number: 918.10.3\u003cbr\u003e(Type : Highly related)\u003cbr\u003ehttps:\/\/collections.rom.on.ca\/objects\/345888\/burial-model-of-a-folding-chair;jsessionid=5842C0B4FBB96B2B5A1B5AB607EC6FBA\u003cbr\u003e\u003cbr\u003e2) British Museum - Museum number 1937,0716.135\u003cbr\u003e(Type : Highly related)\u003cbr\u003ehttps:\/\/www.britishmuseum.org\/collection\/object\/A_1937-0716-135\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e* Ming dynasty Mingqi\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eThe term Mingqi refers to the funerary objects specifically crafted for burial purposes during the Ming Dynasty in China. These objects were designed to accompany the deceased into the afterlife, providing comfort, status, and a semblance of the world they left behind. The word \"Mingqi\" translates to \"spirit objects\" or \"vessels for ghosts.\"\u003c\/p\u003e\n\u003cp\u003eMingqi encompassed a wide variety of items, including models of people, animals, buildings, and everyday objects. These items were meticulously created to represent significant aspects of the deceased's life, such as their home, servants, livestock, and possessions. The purpose was to ensure that the deceased would have all the necessities and luxuries they enjoyed in life available to them in the afterlife.\u003c\/p\u003e\n\u003cp\u003eThe most famous example of Mingqi is the Terracotta Army, although it predates the Ming Dynasty, dating back to the Qin Dynasty. The Terracotta Army consists of life-sized statues of soldiers and horses buried with the first emperor of China, Qin Shi Huang. In contrast, most Mingqi objects from the Ming Dynasty were much smaller in scale.\u003c\/p\u003e\n\u003cp\u003eMingqi objects were typically made of pottery, wood, or metal, and while they varied in size and complexity, they were often crafted with great care and attention to detail. Some Mingqi items were functional and showed signs of wear, suggesting they were beloved possessions of the deceased. Others were purely symbolic, created solely for burial purposes.\u003c\/p\u003e\n\u003cp\u003eThe inclusion of Mingqi in tombs reflects the ancient Chinese belief in an afterlife where the dead would require the same comforts and status symbols as they did in life. This practice illustrates the importance placed on continuity between the earthly life and the afterlife, underscoring the cultural and spiritual values of the Ming Dynasty.\u003c\/p\u003e\n\u003c!----\u003e","brand":"AUA Oriental Art","offers":[{"title":"Default Title","offer_id":45650256756992,"sku":"","price":1390.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0676\/5297\/6896\/files\/1-Photoroom_66285a3a-c7b1-43b6-aba6-3f63607147cd.png?v=1719035947"},{"product_id":"lotus-petal-longquan-celadon-ming-dynasty","title":"Lotus Petal 'Longquan' Celadon Bowl, Ming dynasty","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe bowl features a relatively deep green glaze and a smooth and lustrous finish. The exterior is intricately incised with a lotus petal design, symbolizing purity and spiritual enlightenment, while the interior remains plain to emphasize the glaze's elegance. Over centuries, a natural brown discoloration has appeared on the exterior, reflecting its historical authenticity and prolonged chemical reaction during burial. This is also considered a part of the aesthetic element of celadon.\u003cbr\u003e\u003cbr\u003ePeriod: Ming Dynasty (1368~1644)\u003c\/span\u003e\u003cbr\u003e\u003cspan data-mce-fragment=\"1\"\u003eRegion: Longquan, China\u003c\/span\u003e\u003cbr\u003e\u003cspan data-mce-fragment=\"1\"\u003eMedium: Stoneware - Celadon glazed\u003c\/span\u003e\u003cbr\u003e\u003cspan data-mce-fragment=\"1\"\u003eType: Tripod censer\u003c\/span\u003e\u003cbr\u003e\u003cspan data-mce-fragment=\"1\"\u003eSize : 18.5 cm(Diameter) , 7.5cm(Height)\u003cbr data-mce-fragment=\"1\"\u003eProvenance : Acquired in late 1990s from Hongkong\u003c\/span\u003e\u003cbr\u003e\u003cspan data-mce-fragment=\"1\"\u003eReference : \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e* Ming Dynasty Longquan Celadon\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eLongquan celadon from the Ming Dynasty typically exhibits a more robust and heavier stoneware body compared to its Song Dynasty predecessors. The Ming era saw an evolution in celadon glaze, achieving a wider spectrum of green hues, from olive to bluish-greens. Ming celadons often had thicker glaze applications, sometimes featuring multiple layers and even multiple firings to attain depth and richness in the glaze.\u003c\/p\u003e\n\u003cp\u003eIn contrast, Song Dynasty Longquan celadons are known for their more refined and thinner bodies, with a glaze palette that tends toward more subtle and more uniform green shades. The shapes of Song celadons were usually simpler, emphasizing the glaze's quality and texture.\u003c\/p\u003e\n\u003cp\u003eDuring the Song period, there was also a greater emphasis on subtle and elegant forms, with less ornate decoration compared to the Ming pieces, which showcased more elaborate decorative motifs, including incised or moulded patterns. Song Dynasty Longquan wares were also highly prized for their thin walls and lightness, reflecting a high level of technical mastery in pottery-making.\u003c\/p\u003e\n\u003cp\u003eOverall, while both dynasties produced celadons of exceptional quality, the Ming Longquan celadons are distinguished by their bolder forms and more varied glaze effects, while the Song Dynasty celadons are celebrated for their simplicity and the pure beauty of their glazes.\u003c\/p\u003e\n\u003c!----\u003e","brand":"AUA Oriental Art","offers":[{"title":"Default Title","offer_id":45684777287936,"sku":"","price":5990.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0676\/5297\/6896\/files\/1-Photoroom_964c1029-502f-472f-9298-7c057466d564.png?v=1719834253"},{"product_id":"large-longquan-celadon-dish-ming-dynasty-15th-century","title":"Large 'Longquan' Celadon Dish, Ming Dynasty, 15th century","description":"\u003cp\u003e\u003cspan\u003eThe heavily potted dish is molded in the central roundel\u003c\/span\u003e\u003cspan\u003e below the fluted cavetto and the everted rim with lipped edge, and is covered overall with a glaze of sea-green color, except for the unglazed ring on the base. The wood stand is not included with the item.\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003ePeriod: Ming Dynasty (1368~1644)\u003c\/span\u003e\u003cbr\u003e\u003cspan data-mce-fragment=\"1\"\u003eRegion: Longquan, China\u003c\/span\u003e\u003cbr\u003e\u003cspan data-mce-fragment=\"1\"\u003eMedium: Celadon\u003c\/span\u003e\u003cbr\u003e\u003cspan data-mce-fragment=\"1\"\u003eType: Dish\u003cbr\u003e\u003c\/span\u003eCondition : Good\u003cbr\u003e\u003cspan data-mce-fragment=\"1\"\u003eSize : 34 cm(Diameter) , 7.3cm(Height)\u003cbr data-mce-fragment=\"1\"\u003eProvenance : Acquired in late 1990s from Hongkong\u003c\/span\u003e\u003cbr\u003e\u003cspan data-mce-fragment=\"1\"\u003eReference : \u003cbr\u003e1) Christies NEW YORK 22–23 MAR 2018 - Fine Chinese Ceramics and Works of Art - Lot 722\u003cbr\u003e(Price realised : 12,500 USD \/ Type : Closely related)\u003cbr\u003ehttps:\/\/www.christies.com\/en\/lot\/lot-6129875\u003cbr\u003e\u003cbr\u003e2) Sotheby's Paris 11 December 2020 - Arts d'Asie - Lot 8\u003cbr\u003e(Price realised : 4,032 EUR \/ Type : Closely related)\u003cbr\u003ehttps:\/\/www.sothebys.com\/en\/buy\/auction\/2020\/arts-dasie-2\/plat-en-gres-celadon-longquan-dynastie-ming-xve\u003cbr\u003e\u003cbr\u003e3) Christies LONDON 21–28 MAY 2020 - The Art of China - Lot 31\u003cbr\u003e(Price realised : 5,250 GBP \/ Type : Closely related)\u003cbr\u003ehttps:\/\/onlineonly.christies.com\/s\/art-china\/large-longquan-celadon-barbed-rim-dish-31\/85369\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e* Ming Dynasty Longquan Celadon\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eLongquan celadon from the Ming Dynasty typically exhibits a more robust and heavier stoneware body compared to its Song Dynasty predecessors. The Ming era saw an evolution in celadon glaze, achieving a wider spectrum of green hues, from olive to bluish-greens. Ming celadons often had thicker glaze applications, sometimes featuring multiple layers and even multiple firings to attain depth and richness in the glaze.\u003c\/p\u003e\n\u003cp\u003eIn contrast, Song Dynasty Longquan celadons are known for their more refined and thinner bodies, with a glaze palette that tends toward more subtle and more uniform green shades. The shapes of Song celadons were usually simpler, emphasizing the glaze's quality and texture.\u003c\/p\u003e\n\u003cp\u003eDuring the Song period, there was also a greater emphasis on subtle and elegant forms, with less ornate decoration compared to the Ming pieces, which showcased more elaborate decorative motifs, including incised or moulded patterns. Song Dynasty Longquan wares were also highly prized for their thin walls and lightness, reflecting a high level of technical mastery in pottery-making.\u003c\/p\u003e\n\u003cp\u003eOverall, while both dynasties produced celadons of exceptional quality, the Ming Longquan celadons are distinguished by their bolder forms and more varied glaze effects, while the Song Dynasty celadons are celebrated for their simplicity and the pure beauty of their glazes.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c!----\u003e","brand":"AUA Oriental Art","offers":[{"title":"Default Title","offer_id":45688839307520,"sku":"","price":5990.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0676\/5297\/6896\/files\/1-Photoroom_1_67016081-298f-4df1-a4f8-801cf31bd734.png?v=1769246278"},{"product_id":"a-rare-blue-and-white-octagonal-box-and-cover-ming-dynasty-wanli-six-character-mark-and-period","title":"Rare Blue And White Octagonal Box And Cover, Ming Dynasty Wanli Six-Character Mark And Period","description":"\u003cp\u003eThis octagonal blue-and-white covered box is densely decorated on each facet with dragons twisting their elongated bodies as they move through clouds, filling the entire surface with a tightly composed design. The under-base \u003cem data-start=\"225\" data-end=\"249\"\u003eDa Ming Wanli nian zhi\u003c\/em\u003e mark is written with fluid, unforced brushwork and displays a well-balanced, natural hand. Wanli-period blue-and-white wares display a wide range of cobalt tones, and the closest comparable example can be found in the collection of the Asian Art Museum, San Francisco, as cited in the reference.\u003cbr\u003e\u003cbr\u003e\u003cspan\u003ePeriod: Ming Dynasty Wanli Period (1572~1620)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eMedium: Blue and White Porcelain\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eType: Octagonal Box\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eCondition : Excellent\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eSize : 26cm(Diameter) , 15.5cm(Height)\u003cbr\u003eProvenance : Acquired in late 1990s from Hongkong\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eReference : \u003cbr\u003e1) Asian Art Museum San Francisco - \u003cspan class=\"detailFieldLabel\"\u003eObject number \u003c\/span\u003e\u003cspan class=\"detailFieldValue\"\u003eB69P46L.a-.b - Ingot Shaped Box\u003c\/span\u003e\u003cbr\u003e(Type : Closely related)\u003cbr\u003ehttps:\/\/searchcollection.asianart.org\/objects\/3194\/ingotshaped-box\u003cbr\u003e\u003cbr\u003e2) An example in the Tokyo National Museum is featured in Illustrated Catalogue of Tokyo National Museum: Chinese Ceramics II, Tokyo, 1990, cat. no. 98. Another example, along with its cover, is in the Metropolitan Museum of Art and appears in S. Valenstein's A Handbook of Chinese Ceramics, New York, 1989, pl. 167.\u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e* Distinctive Characteristics of Wanli Blue-and-White Porcelain\u003c\/strong\u003e\u003cbr\u003eWanli blue-and-white porcelain is distinguished by its bold yet intricate designs, often featuring dragons with five claws (symbolizing imperial authority) entwined with clouds and flames. The compositions are densely packed, filling almost the entire surface, a stylistic departure from the more restrained designs of earlier Ming periods. The cobalt blue used during this era was deeper and more vibrant, achieved through advanced firing techniques, creating striking visual contrasts.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e* Unique Artistic Techniques and Forms\u003c\/strong\u003e\u003cbr\u003eA hallmark of Wanli blue-and-white porcelain is its use of segmented decoration, with patterns divided into panels or bands around the vessel. This structured approach allowed for a mix of themes, such as floral motifs alongside mythical creatures, showcasing a rich variety within a single piece. The porcelain's shapes often included practical yet decorative forms, such as lidded jars and dishes, many created for ceremonial use, reflecting both artistry and function.\u003c\/p\u003e","brand":"AUA Oriental Art","offers":[{"title":"Default Title","offer_id":46101402779904,"sku":"","price":49800.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0676\/5297\/6896\/files\/1-Photoroom_1_98e79cdd-35d9-4bd9-aa09-f68335197961.png?v=1767518730"},{"product_id":"carved-longquan-celadon-vase-yuan-ming-dynasty","title":"Carved Longquan Celadon Vase, Yuan-Ming Dynasty","description":"\u003cp\u003ePotted in a balanced baluster form with a gently flared mouth and a stable foot, this vase presents a calm and harmonious silhouette. Animal-form handles holding looped rings add sculptural interest, while subtle carved floral motifs appear beneath an even jade-green celadon glaze, lending the piece a restrained elegance.\u003cbr\u003e\u003cbr\u003e\u003cspan\u003ePeriod : Yuan-Ming Dynasty\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eType : Celadon\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eMedium : Longquan ware\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eSize : 20.5 cm(Height) 7.5cm(Diameter)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eCondition : Good(The traces of soil running down the surface are not soil, these marks are the result of the original glaze dripping during the firing process, combined with surface oxidation from prolonged burial underground.)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eProvenance : Acquired in late 1990s from Hongkong\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eReference : Christies Hongkong 5 APR 2016\u003cstrong\u003e - \u003c\/strong\u003eA CARVED LONGQUAN CELADON PEAR-SHAPED VASE, YUHUCHUNPING - Lot 73\u003cbr\u003e(Price realised : HKD 60,000 \/ Type : Closely related)\u003cbr\u003ehttps:\/\/www.christies.com\/en\/lot\/lot-5982305?ldp_breadcrumb=back\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"AUA Oriental Art","offers":[{"title":"Default Title","offer_id":46284849840384,"sku":"","price":5950.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0676\/5297\/6896\/files\/1-Photoroom_1_2d5d01df-3129-41ea-a3e3-4488e7b60d01.png?v=1767495730"},{"product_id":"jizhou-brown-glazed-moulded-box-and-cover-yuan-ming-dynasty","title":"Brown-Glazed Moulded Box And Cover, Fujian Kiln, Ming Dynasty","description":"\u003cp\u003e\u003cspan\u003eThe circular domed cover moulded with a brown glaze that falls short of the straight foot. The pattern on the left features a central circular design with simple shapes and lines carved inside, surrounded by small oval decorations in a ring. On the outer edge, thin and closely spaced lines, resembling comb patterns, are arranged in a circular fashion. The design on the right features a raised floral motif at the center with layered petal-like patterns, surrounded by a thin circular border accented with a scalloped edge, all set on a glossy brown surface.\u003cbr\u003e\u003cbr\u003eThese Fujian boxes, exported to Southeast Asia, competed with Vietnamese variants. Some speculate they may date back to the Yuan dynasty, with examples of both Chinese and Vietnamese models found in the museum in Haiphong, Vietnam.\u003cbr\u003e\u003cbr\u003ePeriod: Yuan-Ming Dynasty\u003cbr\u003eRegion: Fujian, China\u003cbr\u003eMedium: Pottery\u003cbr\u003eType: Covered Box\u003cbr\u003eCondition : Excellent\u003cbr\u003eDimension : 7cm (Diameter) x 4cm(Height)\u003cbr\u003eProvenance : Acquired in late 1990s from Hongkong\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"AUA Oriental Art","offers":[{"title":"Default Title","offer_id":46330208256256,"sku":"","price":3000.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0676\/5297\/6896\/files\/1-Photoroom_90d95de4-ba6e-4940-bff8-f00e807d8ce3.png?v=1737980999"},{"product_id":"large-wucai-dragons-and-phoenix-jar-ming-dynasty-longqing-emperor-1567-1572","title":"Rare Large Wucai Dragons and Phoenix Jar, Ming dynasty Longqing Emperor (1567-1572)","description":"\u003cp\u003eThe blue dragon and the red dragon are depicted in dynamic postures, each extending its claws to grasp a \u003cstrong\u003eruyi pearl (如意珠).\u003c\/strong\u003e The phoenix is adorned with flowing feathers and delicate coloration. Around the dragons and phoenix, vibrant petals appear to be scattered with balance, a traditional decorative element representing prosperity and auspiciousness.\u003c\/p\u003e\n\u003cp\u003eThe upper rim of the ceramic vessel features a continuous geometric pattern arranged in a regular sequence, while the lower section also displays repeating auspicious motifs. The base is left unglazed, preserving the natural texture of the clay. The quality of the painting is exceptional, showcasing a balanced composition and intricate coloring techniques. The cobalt blue underglaze was applied and fired first, followed by the subsequent application and firing of other colored pigments.\u003cbr\u003e\u003cbr\u003e\u003cspan\u003ePeriod: Ming Dynasty Longqing Period (1567-1572)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eMedium: Wucai or Doucai\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eType: Circular Jar\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eCondition : Excellent\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eSize : 39cm(Diameter) , 21cm(Height)\u003cbr\u003eProvenance : Acquired in late 1990s from Hongkong\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eReference : \u003cbr\u003e\u003c\/span\u003e1) Asian Art Museum San Francisco - Hexagonal vase with phoenixes, Ming dynasty (1368–1644)\u003cbr\u003e(Type : Related)\u003cbr\u003ehttps:\/\/education.asianart.org\/resources\/hexagonal-vase-with-phoenixes-ming-dynasty\/\u003cbr\u003e\u003cbr\u003e2) Shanghai Museum - \u003cspan\u003e明万历景德镇窑五彩云龙纹盖罐\u003cbr\u003e(Type : Related)\u003c\/span\u003e\u003cbr\u003ehttps:\/\/www.shanghaimuseum.net\/mu\/frontend\/pg\/article\/id\/CI00047845\u003cbr\u003e\u003c\/p\u003e","brand":"AUA Oriental Art","offers":[{"title":"Default Title","offer_id":46332689056000,"sku":"","price":15000.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0676\/5297\/6896\/files\/0-Photoroom_e97bc6a4-c720-46d7-a2a2-bb5bcfe829d0.png?v=1738036813"},{"product_id":"large-carved-longquan-celadon-yuhuchunping-ming-dynasty","title":"Large Carved Longquan Celadon Yuhuchunping, Ming Dynasty","description":"\u003cp\u003eThe \u003cspan\u003ebulbous \u003c\/span\u003ebody is adorned with elegantly carved floral motifs, with intertwining vines and flowers forming a natural, flowing pattern. The base is left unglazed. Base surface cracking is occasionally observed, primarily in ceramics excavated from the seabed. \u003cspan\u003eThe base cracks are presumably attributed to prolonged exposure to seawater, where chemical interactions with minerals and stress from fluctuating hydrostatic pressure and currents induced microstructural changes in the ceramic soil.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003ePeriod : Yuan-Early Ming Dynasty\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eType : Celadon\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eMedium : Longquan ware\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eSize : 37 cm(Height) 12cm(Mouth Diameter)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eCondition : Excellent(Black pits in the glaze on the foot.)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eProvenance : Java Sea, Underwater excavation.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eReference :\u003cbr\u003e\u003c\/span\u003e1) British Museum - Museum number 1963,0520.9 - Vase (yuhuchun); bottle\u003cbr\u003e\u003cspan\u003e(Type : Related)\u003c\/span\u003e\u003cbr\u003ehttps:\/\/www.britishmuseum.org\/collection\/object\/A_1963-0520-9\u003cbr\u003e\u003cbr\u003e2) Christies Newyork 14 SEP 2017 - Lot 705 - \u003cspan\u003eA CARVED LONGQUAN CELADON EWER\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e(\u003c\/span\u003e\u003cspan\u003eType : Related)\u003c\/span\u003e\u003cbr\u003ehttps:\/\/www.christies.com\/en\/lot\/lot-6095321\u003cbr\u003e\u003c\/p\u003e","brand":"AUA Oriental Art","offers":[{"title":"Default Title","offer_id":46334241636608,"sku":"","price":13900.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0676\/5297\/6896\/files\/1_f668a278-af8f-457a-aa8a-e5a8d7723f4d.png?v=1767501390"},{"product_id":"copper-red-ceramic-bowl-with-auspicious-motifs-ming-dynasty","title":"Copper-Red Ceramic Bowl with Auspicious Motifs, Ming Dynasty","description":"\u003cp\u003eThis ceramic piece appears to be a \u003cstrong\u003ecopper-red\u003c\/strong\u003e produced in \u003cstrong\u003eJingdezhen, China, during the Ming to early Qing dynasty (15th–17th century).\u003c\/strong\u003e It features a copper red glaze applied over a bluish-white base. The exterior is decorated with fishes, while the interior is inscribed with characters symbolizing longevity and blessings. \u003cbr\u003e\u003cbr\u003e\"寿 (shou, longevity),\" \"南山 (Nanshan, enduring like the southern mountain),\" and \"喜 (xi, joy)\" at the center, forming a classic auspicious inscription (吉祥文, jixiangwen) that conveys wishes for longevity and blessings. The term \"Nanshan\" symbolizes endurance and longevity, while \"xi\" is commonly associated with celebrations and joyous occasions. Such inscriptions were frequently seen on porcelain from the late Ming to early Qing dynasty and were likely used in ceremonies celebrating weddings, birthdays, or longevity.\u003cbr\u003e\u003cbr\u003e\u003cspan\u003ePeriod: Ming-Qing Dynasty\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eMedium: Copper Red and Blue and White Porcelain\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eType: Bowl\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eCondition : Excellent\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eSize : 18.5cm(Diameter) , 8.5cm(Height)\u003cbr\u003eProvenance : Acquired in late 1990s from Hongkong\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"AUA Oriental Art","offers":[{"title":"Default Title","offer_id":46336983761152,"sku":"","price":3800.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0676\/5297\/6896\/files\/1-Photoroom_770a59e0-e21d-41c3-94d8-dcec279d67ad.png?v=1738126936"},{"product_id":"blue-and-white-censer-with-lotus-design-and-lion-finial-mid-late-ming-dynasty","title":"Blue and White Censer with Lotus Design and Lion Finial, Mid-Late Ming Dynasty","description":"\u003cp data-start=\"0\" data-end=\"556\" class=\"\"\u003eThis tripod censer is believed to date from the reign of the \u003cstrong data-start=\"61\" data-end=\"92\"\u003eZhengde Emperor (1506–1521)\u003c\/strong\u003e to the early years of the \u003cstrong data-start=\"119\" data-end=\"151\"\u003eJiajing Emperor (1522–1540s)\u003c\/strong\u003e during the Ming dynasty. The cobalt blue pigment appears in a relatively soft grayish-blue tone, showing variations in shading and subtle bleeding beneath the glaze, suggesting a likely mixture of domestic and imported cobalt. Unlike the deep, intense blue of the Yuan and early Yongle periods, this softer and more nuanced coloring reflects the aesthetic characteristics of mid-Ming blue-and-white ware.\u003c\/p\u003e\n\u003cp data-start=\"558\" data-end=\"899\" class=\"\"\u003eThe body is decorated with lotus scroll motifs, supported on three legs, and topped with a lid featuring a seated lion finial—features typical of ritual or Buddhist incense burners. The overall decoration, shape, and balance are consistent with the stylistic traditions of the \u003cstrong data-start=\"835\" data-end=\"855\"\u003eJingdezhen kilns\u003c\/strong\u003e during the Zhengde to early Jiajing period.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003cspan\u003ePeriod: Mid-Late Ming Dynasty\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eMedium: Blue and White Porcelain\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eType: Censer\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eCondition : Excellent\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eSize : 9cm(Mouth Diameter), 16cm(Height)\u003cbr\u003eProvenance : Acquired in late 1990s from Hongkong\u003cbr\u003e\u003c\/span\u003eReference : Qingdao Museum - Blue and White Censer with Lion Finial, Ming Dynasty\u003cbr\u003e(Type : Closely related)\u003c\/p\u003e","brand":"AUA Oriental Art","offers":[{"title":"Default Title","offer_id":46654325981440,"sku":"","price":4900.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0676\/5297\/6896\/files\/1-Photoroom_14b74fb2-7d74-4019-84fc-da0a098c6693.png?v=1746966638"},{"product_id":"blue-and-white-porcelain-meiping-vase-with-peony-scroll-ming-dynasty","title":"Blue and White Porcelain Meiping Vase with Peony Scroll, Ming Dynasty","description":"\u003cp data-start=\"59\" data-end=\"488\"\u003eThis piece is presumed to be a blue and white porcelain \u003cem data-start=\"115\" data-end=\"124\"\u003emeiping\u003c\/em\u003e vase from the mid-Ming Dynasty. The entire body is decorated with arranged peony scrolls painted in underglaze cobalt blue. The vivid yet dark navy tone of the cobalt pigment suggests it may have been produced using pigment typical of the early to mid-Ming period. \u003c\/p\u003e\n\u003cp data-start=\"490\" data-end=\"844\"\u003eThe decorative bands, such as the cloud motifs and the lotus petal patterns, contribute to the overall sense of proportion and harmony. The intricate brushwork and density of the design indicate a skilled artisan’s hand. The balanced form and the shape of the foot provide clues for dating the piece.\u003cbr\u003e\u003cbr\u003e\u003cspan\u003ePeriod: Mid-Late Ming Dynasty\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eMedium: Blue and White Porcelain\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eType: Meiping\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eCondition : Good(Chips on the surface)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eSize : 3.5cm(Mouth Diameter), 27cm(Height)\u003cbr\u003eProvenance : Acquired in late 1990s from Hongkong\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eReference : Sotheby's Paris 10 December 2019 - \u003c\/span\u003eVASE EN PORCELAINE BLEU BLANC, MEIPING DYNASTIE MING, XVIE SIÈCLE - Lot2\u003cbr\u003e(Price realised : 7,500 Euro \/ Type : Related)\u003cbr\u003e\u003cspan\u003ehttps:\/\/www.sothebys.com\/en\/buy\/auction\/2019\/arts-dasie\/vase-en-porcelaine-bleu-blanc-meiping-dynastie\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"AUA Oriental Art","offers":[{"title":"Default Title","offer_id":46817220821248,"sku":null,"price":4500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0676\/5297\/6896\/files\/1-Photoroom_82b17fd8-be91-43a1-93d4-03aff77695a6.png?v=1752302953"},{"product_id":"blue-and-white-jars-with-phoenix-amid-clouds-mid-late-ming-dynasty","title":"Blue and White Jars with Phoenix amid Clouds, Mid-Late Ming Dynasty","description":"\u003cp data-end=\"423\" data-start=\"0\"\u003eThis blue and white porcelain jar was produced at a southern folk kiln (minyao) during the mid to late Ming dynasty. It features a well-balanced form with rounded shoulders, a short neck, and a low foot. The decoration depicts a phoenix flying westward among clouds, while a band of vertical lotus-petal motifs (lianbanwen) encircles the lower section.\u003cbr\u003e\u003cbr\u003eThe cobalt pigment exhibits a grayish-blue tone (huī qīngsè) typical of low-iron cobalt widely used in southern folk kilns of the period. Fired in a reducing atmosphere, the glaze shows a soft, natural diffusion of color beneath the surface.\u003cbr\u003e\u003cbr\u003e\u003cspan\u003ePeriod: Mid-Late Ming Dynasty\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eMedium: Blue and White Porcelain\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eType: Jar\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eCondition : Excellent\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eSize : 7cm(Mouth Diameter), 14cm(Height)\u003cbr\u003eProvenance : Acquired in late 1990s from Hongkong\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"AUA Oriental Art","offers":[{"title":"Default Title","offer_id":47128663261440,"sku":null,"price":3250.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0676\/5297\/6896\/files\/0_c223e128-0d7e-4462-bf1c-fed3aad95a8c.png?v=1760970487"},{"product_id":"green-glazed-standing-gate-on-plinth-with-finials","title":"Green Glazed Standing Gate on Plinth with Finials, Ming Dynasty","description":"\u003cp\u003eModeled after wooden architectural forms, this miniature gate is constructed with two vertical posts and three horizontal crossbars, set on footed bases with projecting support brackets and surmounted by decorative finials; the surface is predominantly covered with green glaze, with areas of reddish tones remaining, and displays iridescence on the glaze, indicating long-term burial alteration.\u003cbr\u003e\u003cbr\u003e\u003cspan\u003ePeriod: Ming Dynasty \u003cbr\u003eMedium: Glazed Pottery\u003cbr\u003eType: Figure\u003cbr\u003eSize :  22cm(Diameter) x 29cm(Height)\u003cbr\u003eCondition : Excellent(The piece has not had the soil removed, as some collectors prefer it in its original condition.)\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eProvenance : Acquired in late 1990s from Hongkong\u003cbr\u003eReference : \u003c\/span\u003eUniversity of Michigan - \u003cspan\u003eScreen on Plinth with Finials - 2008\/2.280\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003e(Type : Closely related)\u003cbr\u003ehttps:\/\/umma.umich.edu\/objects\/screen-on-plinth-with-finials-2008-2-280\/\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"AUA Oriental Art","offers":[{"title":"Default Title","offer_id":47626107945216,"sku":null,"price":1650.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0676\/5297\/6896\/files\/1-Photoroom_5_af99dc20-94f8-4b32-ae2e-aeb26459326a.png?v=1769320147"}],"url":"https:\/\/auaorientalart.com\/collections\/early-ming-dynasty-14-15th-century.oembed?page=2","provider":"AUA Oriental Art","version":"1.0","type":"link"}